Military Maps & Prints
Hand-Colored Engravings of Chinese Military Equipment, Circa 1815
Hand-Colored Engravings of Chinese Military Equipment, Circa 1815, view 2Hand-Colored Engravings of Chinese Military Equipment, Circa 1815, view 3Hand-Colored Engravings of Chinese Military Equipment, Circa 1815, view 4Hand-Colored Engravings of Chinese Military Equipment, Circa 1815, view 5Hand-Colored Engravings of Chinese Military Equipment, Circa 1815, view 6Hand-Colored Engravings of Chinese Military Equipment, Circa 1815, view 7Hand-Colored Engravings of Chinese Military Equipment, Circa 1815, view 8Hand-Colored Engravings of Chinese Military Equipment, Circa 1815, view 9Hand-Colored Engravings of Chinese Military Equipment, Circa 1815, view 10Hand-Colored Engravings of Chinese Military Equipment, Circa 1815, view 11

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Framed and on the wall

Hand-Colored Engravings of Chinese Military Equipment, Circa 1815, shown framedHand-Colored Engravings of Chinese Military Equipment, Circa 1815, shown framed on a wallHand-Colored Engravings of Chinese Military Equipment, Circa 1815, shown framed in a room

Frame and rooms are illustrations of how the piece could look; it is sold unframed unless the description says otherwise.

Hand-Colored Engravings of Chinese Military Equipment, Circa 1815

£305

$405 · €360

Original print, not a reproduction.

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Date
1815
Sheet size
13.9 × 9.6 in (35.4 × 24.4 cm)
Condition
Good. Good condition consistent with age. Light age toning and occasional foxing to margins. Visible plate marks present. Original embossed blind stamp visible. Minor handling marks and slight edge wear typical for bound plates removed from a volume.
Collection
Uniforms & regiments
Era
1790 to 1815, Napoleonic wars
Stock no.
f_48687652

Chinese Military Equipment & Ceremonial Standards, Ferrario Costume Plates, 1815

Description:

This decorative pair of hand-colored copperplate engravings originates from Giulio Ferrario’s celebrated encyclopedic publication Il Costume Antico e Moderno di tutti i Popoli del Mondo, issued in Florence during the early 19th century (circa 1815–1840s). Ferrario’s monumental work aimed to document and compare the costumes, customs, military traditions, and ceremonial culture of civilizations across the globe, combining Enlightenment-era scholarship with refined neoclassical artistic interpretation.

The present plates focus on Chinese military equipment, ceremonial standards, and technological devices associated with warfare, signaling, and imperial display. Presented in a structured arrangement, the engravings function almost as visual catalogues, illustrating weapons, banners, horns, shields, polearms, bows, armor elements, ceremonial helmets, and portable artillery or mechanical devices. The imagery reflects European fascination with East Asian material culture and demonstrates the period’s attempt to classify global traditions visually and scientifically.

Executed in a precise academic engraving style and enhanced with original hand coloring, the plates balance ethnographic curiosity with strong decorative appeal. Their clear composition, refined palette, and graphic organization make them particularly attractive for collectors interested in Asian military history, decorative ethnographic prints, or early 19th-century costume studies.

Displayed together, the two prints form a coherent diptych representing both functional military technology and ceremonial symbolism. They work exceptionally well as interior design pieces, offering historical depth combined with elegant visual structure.

Condition report:

Good condition consistent with age. Light age toning and occasional foxing to margins. Visible plate marks present. Original embossed blind stamp visible. Minor handling marks and slight edge wear typical for bound plates removed from a volume.

Framing tips:

Best presented as a pair in matching frames. Dark walnut or ebonized frames with ivory mounts enhance the historic paper tone. Float mounting is recommended to reveal the full sheet including plate impression and blind stamp, emphasizing authenticity.

Technique: Hand-colored copperplate engraving

Maker: Giulio Ferrario / Luigi Giarre, Florence, Italy, early 19th century